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This is how, in the end, this project gives us an idea of life: despite being surrounded by seven billion human beings we remain alone in our personal journey and in that what happens.
Everyone then explores the space together.
The particular songtype is what in Nahuatl is called a Cuecuechcuicatl, which John Bierhorst translates into English as Ribald Flowersong and philosopher and Nahuatl scholar Patrick Johansson translates as Canto florido de travesuras (flowery song of naughtiness).In this Ballo, the voluptuous world of sixteenth century musical theatre is only a starting point, the interdisciplinary and technological transfiguration uses analogical (body, voice, instruments) and virtual (video, light, electronic music) vocabuli.From then, two people are like the heavenly pair of lovebirds.Elegant color work, and a sense of hierarchy, a unique charm.If we broke with the particularly German tradition of statefunded art, music, literature and theatre invention and the regional and municipal governments left the field (and their houses) exclusively to commercially interested parties?Through elaborate creation of Liu Liang-Yen, a well-known Taiwan poet and director, and Ko Blaire, a well-known Taiwan musician, the show was recreated into a distinct musical drama, which was full of jazz music.On her search she encounters many other creatures, that are strongly characterized by the music.But when dreams can become reality, be careful what you dream.
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